SEPTEMBER 2011 Screenings at the Miami Beach Cinematheque

MBC SEPTEMBER 2011 at a Glance:

MON, TUE AUG 29, 30, 7pm:

TABLOID by Errol Morris

MON, TUE, AUG 29, 30, 8:40pm:

THE INTERRUPTERS (MIFF Best Doc 2011)

WED, AUG 31, 8pm:

“The Discreet Charm of Luis Bunuel” retrospective opening

UN CHIEN ANDALOU and L’AGE D’OR

with Live Electronic Accompaniment by GABO!

FRI-SUN, SEPT 02-04: MIAMI HISPANIC BALLET DANCE FILM SERIES

FRI, SEPT 02, 5pm: THERE IS A PLACE by Katrina McPherson & Simon Fildes

and EBONY GODDESS: QUEEN OF ILE AIYE by Carolina Moraes-Liu

SAT, SEPT 03, 5pm: CLAUDE BESSY: TRACES OF LIFE by Fabrice Herrault

SUN, SEPT 04, 5pm: DANCING DREAMS: IN THE FOOTSTEPS OF PINA BAUSCH byAnne Linsel, Rainer Hoffmann

FRI-SUN, SEPT 02-04, 6:50pm: PASSIONE by JOHN TURTURRO

FRI-SUN, SEPT 02-04, 8:40pm: GODARD and TRUFFAUT in

TWO IN THE WAVE by Emmanuel Laurent

THU SEPT 08, 8pm: “THE DISCREET CHARM OF LUIS BUÑUEL”

MBC Great Director Retrospective VIRIDIANA

FRI-SUN, SEPT 09-11, 6:30 & 8:30pm,

and SAT & SUN, 10 & 11, 4:40pm:

“The Discreet Charm of Luis Buñuel” MBC Great Director Retrospective

MIDNIGHT IN PARIS By WOODY ALLEN

WED SEPT 14, 7pm: “GLOW” (GLBT films at MBC)

Presented by MGLFF THE WISE KIDS by STEPHEN CONE

FRI-WED, SEPT 16-21, 7pm, & SAT & SUN, SEPT 17, 18, 5pm:

LIFE IN A DAY (“FILMED BY YOU”) by KEVIN MACDONALD

FRI-WED, SEPT 16-21, 8:50pm:

35th Anniversary Director’s Cut! THE MAN WHO FELL TO EARTH

Starring DAVID BOWIE, by NICHOLAS ROEG

THU SEPT 22, 8pm: “THE DISCREET CHARM OF LUIS BUÑUEL”

MBC Great Director Retrospective THE EXTERMINATING ANGEL

FRI-WED, SEPT 23-28, 7pm* (*except SEPT 25)

& SUN SEPT 25, 5pm: THE FUTURE by MIRANDA JULY

FRI-WED, SEPT 23-28, 9pm* (*except SEPT 25)

& SAT SEPT 24, 5pm:

!W.A.R !WOMEN ART REVOLUTION by LYNN HERSHMAN LEESON

SUN, SEPT 25, 7pm: An MBC SPECIAL EVENT

ONE SCREENING ONLY! RED STATE

With Live webcast Q&A with director KEVIN SMITH

And afterparty at Vinyl & Kai Gastropub and Rock Spot

THU, SEPT 29, 8pm: Cinema Green

In collaboration with ECOMB TRASH, INC. by CNBC

FRI-WED SEPT 30-OCT 05, 6:45pm: THE TREE by JULIE BERTUCELLI

FRI-MON SEPT 30-OCT 3: FESTIVAL OF NEW SPANISH CINEMA 2011

FRI, SEPT 30, 8:45pm: 80 DAYS by Jose Mari Goenaga & Jon Garaño

SAT, OCT 1, 8:45pm: BICYCLE, SPOON, APPLE by Carles Bosch

SUN, OCT 2, 8:45pm: EVERY SONG IS ABOUT ME byJonás Trueba

MON, OCT 3, 8:45pm: HALF OF OSCAR by Manuel Martín Cuenca

TUE, OCT 4, 8:45pm: LOPE by Andrucha Waddington

(See Calendar DETAILS below)

WED AUG 31, 8pm:

Opening Night of the MBC Retrospective:

“THE DISCREET CHARM OF LUIS BUÑUEL”

UN CHIEN ANDALOU

(An Andalusian Dog)

With LIVE electronic accompaniment

By GABÓ

Directed by Luis Buñuel and Salvador Dalí

With Simone Mareuil, Pierre Batcheff
France 1928, 16mins.

Spanish director Luis Buñuel’s first film, the surrealistic masterpiece Un Chien Andalou, was written over the course of a three-day exchange of fantasies and dreams with Salvador Dalí and contains what is, perhaps, one of the most memorable scenes in film history: a razor blade slicing an eyeball. Made in 1929, it aimed to shock rather than please its audience and soon became a film classic.

“Our only rule was very simple: no idea or image that might lend itself to a rational explanation of any kind would be accepted” – Luis Buñuel

And

L’AGE D’OR

Directed by Luis Buñuel.

With Gaston Modot, Lya Lys, Max Ernst
France 1930, 63 min.

Poetic, absurd, erotic, visionary and scandalous, L’Age d’or can still “provoke, baffle and delight” (New York Times) more than seventy years after its creation. L’Age d’or showcases the incomparably obsessive cinematic imagination of Luis Buñuel at its beginning and the celebrated surrealism of Salvador Dalí at its peak. In 1930, following their short film triumph Un chien andalou, Buñuel and Dalí created an hour long avant-garde tour de force that’s both an aesthetic avalanche of boldness and a withering attack on a society that elevates pious morality over sexual freedom. As scorpions battle, partisans (led by famed surrealist painter Max Ernst) stumble and the forces of middle-class righteousness repeatedly interrupt two neurotic lovers, L’Age d’or delivers a gleeful fever dream of Freudian unease that arouses, unnerves, amuses and galvanizes. (In French with English subtitles)

“L’Age d’or reassures us that as long as we have eyes,

we will still be susceptible to shock” -The New York Times

The MBC Retrospective

“THE DISCREET CHARM OF LUIS BUÑUEL”

includes a Buñuel vintage memorabilia exhibition,

and continues on Thursday nights

in SEPTEMBER & OCTOBER,

culminating with a site-specific

Buñuel-inspired film-installation at MBC:

Sonámbula, by Dinorah de Jesús Rodriguez

for SLEEPLESS NIGHT (6pm-6am, Nov 05).

“Even today, I’ve no idea what the truth is, or what I did with it.”

-Luis Buñuel

ADVANCE TICKETS & MORE INFO HERE

$12 or $11 students/seniors, $10 MBC Members

The Great Directors Series is supported by Funding Arts Network, Inc.

MBC Members receive complimentary NESPRESSO coffee

at the Great Directors Series films!

 

 

 

FRI-SUN, SEPT 02-04, 5pm:

MIAMI HISPANIC BALLET

DANCE FILM SERIES

FRI, SEPT 02, 5pm:

FLORIDA PREMIERES!

THERE IS A PLACE

Documentary directed by Katrina McPherson & Simon Fildes/Scotland/2011/7mins.

There is a Place features the work of Sang JiJia, a Tibetan dancer-choreographer and artist in residence at Beijing Dance LDTX in China. He travelled to the Highlands of Scotland to make this 7-minute dance film with Katrina and Simon, combining exquisite movement and stunning landscapes with skillful camerawork and editing, taking the viewer into Sang’s world of pure dance.

WINNER: Jury Prize for Short Film, San Francisco Dance Festival 2011

and

EBONY GODDESS: QUEEN OF ILE AIYE

Documentary by Carolina Moraes-Liu/Brazil/2010

 

Ebony Goddess: Queen of Ilê Aiyêfollows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country `famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women. (In Portuguese with English subtitles)

WINNER: African Diaspora Award, San Diego Black Film Festival

Best Short, San Diego Latino Film Festival

“…brilliantly presents Bahian Carnaval as a central arena for the promotion of cultural assertion of Afro-Brazilian populations, and a privileged space where Afro-Brazilian women are fighting against racism and developing self-esteem.”-Ana Lucia Araujo, Howard University

ADVANCE TICKETS & MORE INFO HERE

SAT, SEPT 03, 5pm:

WORLD THEATRICAL PREMIERE!

CLAUDE BESSY: TRACES OF LIFE

(Claude Bessy: Lignes d’Une Vie)

Documentary directed by Fabrice Herrault/France/2011/50mins.

 

 

Described as the “Golden Silhouette” by Serge Lifar, French ballerina Claude Bessy was an admired etoile of the Paris Opera Ballet and ran its prestigious school for decades. Americans know her as Gene Kelly’s partner in his “Invitation to the Dance.” Herrault’s intimate documentary, narrated by his subject, features rare vintage classroom and performance footage of the dancer in her prime, including works by Kelly, Serge Lifar, and Maurice Bejart. (In French and English with English subtitles)

“A GORGEOUS CELEBRATION OF A ONE-OF-A-KIND ARTIST”-Ioncinema

ADVANCE TICKETS & MORE INFO HERE

SUN, SEPT 04, 5pm:

FLORIDA PREMIERE!

DANCING DREAMS:

IN THE FOOTSTEPS OF PINA BAUSCH

(Tanzträume)

Documentary directed by Anne Linsel, Rainer Hoffmann/2010/Germany/89 mins.

Marking the last filmed appearance of Pina Bausch, this new documentary centers on a group of high school students rehearsing for a performance of one of Pina Bausch’s signature pieces, Kontakthof (Comfort Zone), a stylized presentation of the entanglements of the sexes. Bausch gently encourages the teenagers “to be themselves” as they slowly transform their self-conscious attempts at body expression to graceful, self-empowered movement. Dancing Dreams contains the last on-camera interview with the renowned German choreographer, who died in June 2009. (In German with English subtitles)

“A JOYFUL PORTRAIT. INSPIRING AND WELL CRAFTED!”-Variety

“ELECTRIFIED AUDIENCES! While the film serves as a fitting elegy for Bausch, it also speaks to young people seeking creative fulfillment…a stimulating examination of the many ways in which art can give an electric charge to everyday experience.”-The Hollywood Reporter

ADVANCE TICKETS & MORE INFO HERE

FRI-SUN, SEPT 02-04, 6:50pm:

Miami Beach return engagement

in collaboration with Emerging Pictures

LAST CHANCE for one of Miami’s biggest hits!

PASSIONE

(Documentary by JOHN TURTURRO/USA/Italy/90mins.)

Little wonder that Passione, John Turturro’s wild, colorful, sexy ode to the music and people of Naples, was “rapturously received” (Variety) and interrupted by
“spontaneous outbreaks of applause” (Sight + Sound Magazine) in Italy, where it played for more than four months (its soundtrack on the charts for five). Turturro describes Passione as “a musical adventure that comes directly out of the people and the volcanic land they inhabit. (In English and Italian with English subtitles)

**** CRITICS’ PICK! Thoroughly enjoyable. A killer soundtrack!”
-Time Out New York
“A MUST-SEE.
PASSIONE is the Buena Vista Social Club of Naples!”

-The Wall Street Journal
ADVANCE TICKETS & MORE INFO HERE

FRI-SUN, SEPT 02-04, 8:40pm:

Miami Digital Premiere!

The story of the friendship

that changed cinema forever…

GODARD and TRUFFAUT in

TWO IN THE WAVE

Documentary by Emmanuel Laurent/France/2010/93mins.

With Jean-Luc Godard and Francoise Truffaut

The French New Wave crashed onto international shores when François Truffaut’s debut feature, The 400 Blows, premiered at Cannes in 1959, followed quickly by Jean-Luc Godard’s equally thrilling Breathless, based on a Truffaut story. The two filmmaking rebels, great friends and fellow graduates of the Cahiers du Cinema, for which both wrote extensively, hailed from different sides of the tracks: Truffaut, a poor reform school boy, and Godard, a Swiss haute bourgeois. Both cast Jean-Pierre Léaud in many of their movies (for Truffaut, as his alter-ego, Antoine Doinel) and led the movement to save Henri Langlois’s job at the Cinemathèque Française in ’68. Two In The Wave poignantly melds revealing period footage of both men (and of Léaud, torn between father-figures) with scenes from some of their greatest films, as it moves inexorably toward their bitter falling-out.

“Buffs interested in the filmmakers and the era will be delighted by WONDERFUL EARLY FOOTAGE of the budding young auteurs.” – Variety

“BRISK and FERTILE-helps to transmute the New Wave from contemporary explosion into a historical event.” – The New Republic

The amazing list of exerpted films in “Two In the Wave”:

Monika (1953, Ingmar Bergman)

The Kids (1957, François Truffaut)

Moi un noir (1958, Jean Rouch)

The 400 Blows (1959, François Truffaut)

All the Boys Are Called Patrick (1959, Jean-Luc Godard)

Breathless (1960, Jean-Luc Godard)

Charlotte and Her Jules (1960, Jean-Luc Godard)

Shoot the Piano Player (1960, François Truffaut)

A Woman Is a Woman (1960, Jean-Luc Godard)

A History of Water (1961, Jean-Luc Godard)

Lola (1961, Jacques Demy)

Antoine and Colette (1962, François Truffaut)

Cleo From 5 to 7 (1962, Agnès Varda)

Jules and Jim (1962, François Truffaut)

My Life to Live (1962, Jean-Luc Godard)

The Carabineers (1963, Jean-Luc Godard)

Contempt (1963, Jean-Luc Godard)

Le petit soldat (1963, Jean-Luc Godard)

A Married Woman (1964, Jean-Luc Godard)

The Soft Skin (1964, François Truffaut)

Pierrot le Fou (1965, Jean-Luc Godard)

Masculine Feminine (1966, Jean-Luc Godard)

The Nun (1966, Jacques Rivette)

La Chinoise (1967, Jean-Luc Godard)

Two or Three Things I Know About Her (1967, Jean-Luc Godard)

Cinétracts (1968, Jean-Luc Godard)

Stolen Kisses (1968, François Truffaut)

Bed and Board (1970, François Truffaut)

Two English Girls (1971, François Truffaut)

Tout va bien (1972, Jean-Luc Godard)

Day for Night (1973, François Truffaut)

Love on the Run (1979, François Truffaut)

ADVANCE TICKETS & MORE INFO HERE

 

 

THU SEPT 08, 8pm:

“THE DISCREET CHARM OF LUIS BUÑUEL”

MBC Great Director Retrospective

VIRIDIANA

Directed by LUIS BUÑUEL/Mexico/Spain/1961/90 mins.

With Silvia Pinai, Fernando Rey, Francisco Rabal

Banned in Spain and denounced by the Vatican, Luis Buñuel’s irreverent vision of life as a beggar’s banquet is regarded by many as his masterpiece. In it, novice nun Viridiana does her utmost to maintain her Catholic principles, but her lecherous uncle and a motley assemblage of paupers force her to confront the limits of her idealism. Winner of the Palme d’or at the 1961 Cannes Film Festival, Viridiana is as audacious today as ever. (In Spanish with English subtitles)

WINNER: Palme d’Or Cannes Film Festival

“For Luis Buñuel, impiety is a genetic trait and an essential facet of his art. That his work also lifts the spirit — imparting a delirious sensation of the divine-is a most welcome incongruity, one exemplified by his prizewinning 1961 effort, Viridiana.”-Time Out New York

The Great Directors Series is supported by Funding Arts Network, Inc.

MBC Members receive complimentary NESPRESSO coffee

at the Great Directors Series films!

ADVANCE TICKETS & MORE INFO HERE

FRI-SUN, SEPT 09-11, 6:30 & 8:30pm,

and SAT & SUN 10 & 11, 4:40pm:

“THE DISCREET CHARM OF LUIS BUÑUEL”

MBC Great Director Retrospective

An MBC Premiere Presentation

in collaboration with Emerging Pictures

The return of Woody (and Luis Buñuel!) in the Afternoon!

MIDNIGHT IN PARIS

(Directed by WOODY ALLEN/2011/100mins.)

With Owen Wilson, Rachel McAdams, Michael Sheen, Carla Bruni,

Marion Cotillard, Kathy Bates, Adrien Brody

Woody Allen’s latest (and most successful) film includes moments in time with the likes of Luis Buñuel (Adrien de Van) and such pals as Salvador Dalí (Adrien Brody) and Man Ray (Tom Cordier), so we couldn’t resist bringing them back for at least a weekend to add modern texture and context to our Luis Buñuel film retrospective that continues throughout September and October at MBC. The film is about a young man’s great love for a city, Paris, the legendary cultural icons associated with it, and the illusion people have that a life different from theirs would be much better.

OPENING FILM: Cannes Film Festival 2011

Not since 1979’s Manhattan, in which he rhapsodized over the New York of his black-and-white dreams, has Allen used a camera to make such urgent, passionate love to a city.”-Rolling Stone

ADVANCE TICKETS & MORE INFO HERE

 

WED SEPT 14, 7pm:

“GLOW”

(GLBT films at MBC) presented by MGLFF

“BEST OF OUTFEST”

(Grand Jury Dramatic Feature)

Florida Premiere!

THE WISE KIDS

Written and Directed by STEPHEN CONE/USA/91mins.

With Lee Armstrong, Cliff Chamberlain, Stephen Cone

A vivid, dynamic Southern coming-of-age drama, takes place in the transitional space between high school and college, when life seems to be all questions and no answers, and the future is scarily wide open. Set in and around a Charleston, SC Baptist church, weaving through this ensemble piece are three main characters – Brea, an introspective pastor’s daughter experiencing debilitating doubt, the hyperactive Laura, Brea’s best friend and a devout believer, and Tim, the open-hearted son of a single father, confronting his homosexuality for the first time. Tensions and buried feelings abound, as colleges are chosen and adults behave badly, as Brea, Laura and Tim attempt to hang onto what they have, all the while yearning to break free.

WINNER: Grand Jury Award US Dramatic Feature OutFest

Grand Jury Award Screenwriting OutFest

“The Wise Kids” allows these teenagers to be who they want to be without judgments. It’s WONERFUL AND HEARTENING, and tends more toward the philosophical with its genuine, warm nature. It’s a delight to watch this honest and sweet film.”-Edge Los Angeles

$10 or $5 MBC and MGLFF Members

(Ticket includes cocktail reception at Miami Beach LGBT Center)

(MBC MEMBERS: email us at info@MBCinema.com

to get your discount code before ordering online tics)

ADVANCE TICKETS HERE

 

 

FRI-WED, SEPT 16-21, 7pm,

And SAT & SUN, SEPT 17, 18, 5pm:

An MBC Premiere Presentation

in collaboration with Emerging Pictures

Miami HD Digital Premiere!

LIFE IN A DAY

(“FILMED BY YOU”)

Directed by KEVIN MACDONALD, produced by RIDLEY SCOTT/90 mins.

Featuring hundreds of people all over the world, filmed in one day

LIFE IN A DAY is a user-generated feature-length documentary, shot on a single day -July 24, 2010- that enlisted the global community to capture a moment of their lives on camera. The world responded by submitting more than 80,000 videos, representing over 4,500 hours of deeply personal, powerful films from contributors from Australia to …Zambia, from the heart of bustling major cities to the furthest and most remote reaches of the earth. LIFE IN A DAY brings together the most compelling YouTube footage into a 90-minute film, crafted by Macdonald, Executive Producer Ridley Scott, Producer Liza Marshall and their team, to offer a unique experience that shows, in beautiful, humorous and joyful honesty, what it’s like to be alive on earth today.

Official Selection: Sundance, Berlin, SXSW Film Festivals

*****A THRILLING PIECE OF CINEMA!”-The Times

“PROVOCATIVE, GORGEOUS….DEEPLY MOVING!-Wired

“MASTERFUL, LIFE-AFFIRMING, and UPLIFTING!”-The Independent

ADVANCE TICKETS & MORE INFO HERE

 

FRI-WED, SEPT 16-21, 8:50pm:

An MBC Premiere Presentation

in collaboration with Emerging Pictures

Florida HD Digital Premiere!

New digital restoration…

35th Anniversary Director’s Cut!

THE MAN WHO FELL TO EARTH

Directed by NICHOLAS ROEG/UK/1976/restored 2011/140mins.

With David Bowie, Buck Henry, Rip Torn, Candy Clark

Time OUT NY interview with NICHOLAS ROEG HERE

“Are you Lithuanian?” After a space craft seemingly crashes to Earth, David Bowie walks off to sell a ring for twenty bucks in a dusty Southwestern town, then almost immediately hires high-priced, thick-spectacled patent attorney (Graduate screenwriter Buck Henry) to register ten world-changing patents. Orange-haired, pale-faced, minimally expressioned Bowie desperately yearns to return himself and water to his parched planet – but will the authorities let him? Roeg’s science fiction cult classic/cautionary moral tale is an assault of fragmented, non-linear narrative style, typically striking visuals, and 70s soundtrack by John Phillips of The Mamas and Papas (along with period “needle drops”). All too often seen in washed-out copies, the newly restored uncut director’s version allows Roeg’s dazzling visuals (Pauline Kael called him “the most visually seductive of directors”) to be seen as they were meant to be.

“THE MOST INTELLECTUALLY PROVOCATIVE GENRE FILM OF THE 1970s!”

-Joshua Rothkopf, Time Out New York
“DAZZLING! TIME HAS DONE NOTHING TO REDUCE ITS COOL, CONFOUNDING STRANGENESS!”-The New Yorker
“A MASTERPIECE! May look like a moody, mysterious sci-fi drama, but it’s really a dark meditation on fame, capitalism, and temptation.”
-New York magazine
“A HYPNOTIC, TRANCE-INDUCING EXPERIENCE! Bowie’s turn, in his first lead performance, is so intense as to feel pretty definitive.”
-IndieWIRE
“ABSORBING AND AS BEAUTIFUL!”-New York Times
ADVANCE TICKETS & MORE INFO HERE

 

THU SEPT 22, 8pm:

“THE DISCREET CHARM OF LUIS BUÑUEL”

MBC Great Director Retrospective

THE EXTERMINATING ANGEL

Directed by LUIS BUÑUEL/Mexico/1962/94mins.

With Silvia Pinal, Jacqueline Andere, Enrique Rambal


A group of high-society friends are invited to a mansion for dinner and inexplicably find themselves unable to leave in Luis Buñuel’s daring masterpiece The Exterminating Angel (El ángel exterminador). Made just one year after his international sensation Viridiana, this film, full of eerie, comic absurdity, furthers Buñuel’s wicked takedown of the rituals and dependencies of the frivolous upper classes. (In Spanish with English subtitles)

“Luis Buñuel’s ferociously brilliant The Exterminating Angel (1962) is one of his most provocative and unforgettable works. In it we watch a trivial breach of etiquette transform into the destruction of civilization.”

-Marsha Kinder, Exterminating Civilization

The Great Directors Series is supported by Funding Arts Network, Inc.

MBC Members receive complimentary NESPRESSO coffee

at the Great Directors Series films!

ADVANCE TICKETS & MORE INFO HERE

 

FRI-WED, SEPT 23-28, 7pm*

(*except Sunday SEPT 25)

& SUN SEPT 25, 5pm:

An MBC Premiere Presentation

in collaboration with Emerging Pictures

Miami HD Digital Premiere!

THE FUTURE

Directed by MIRANDA JULY/2011/91mins.

With Miranda July, Hamish Linklater, David Warshovsky

Director’s Statement:

“When I was a kid I had a folder labeled “Ways to go back in time/enter other worlds.” I never actually put anything in it, but I still have the folder, and the feeling that there might be a way. And meanwhile, moving forward through time, minute by minute, day by day, has turned out to be its own challenge – no less science fictional, and in moments, almost as impossible. This movie is about that…

And even if you flee your life, I think you still end up in the same place in the end. You still have to be you, you still have to make the dance. It’s just much harder, and some important things are lost along the way. So this story is also told from the point of view of what was lost – a cat. Paw Paw tells the truth simply and is completely exposed, like someone just born or someone very old. He was the only way I could describe the bittersweet vertigo of true love. Which is the thing that got me thinking about mortality in the first place.”

Official Selection: Berlin International Film Festival

-Miranda July

“DEVASTATINGLY SAD AND HILARIOUS…The Future tests the limits of what narrative cinema can be and do”-LA Weekly

“MYSTERIOUS AND MOVING. Almost spiritual in its strangeness”

-Boston Globe

To read the Miranda July blog clickHERE

ADVANCE TICKETS & MORE INFO HERE

 

FRI-WED, SEPT 23-28, 9pm*

(*except Sunday SEPT 25),

& SAT SEPT 24, 5pm:

An MBC Premiere Presentation

in collaboration with Emerging Pictures

Miami HD Digital Premiere!

!W.A.R

!WOMEN ART REVOLUTION

Documentary by LYNN HERSHMAN LEESON/2011/83 mins.

With Miranda July, The Guerilla Girls, Yvonne Rainer, Judy Chicago, Marina Abramovic, Yoko Ono, Cindy Sherman, Barbara Kruger, B. Ruby Rich, Ingrid Sischy, Carolee Schneemann, Miriam Schapiro, Marcia Tucker and countless other groundbreaking figures.

An entertaining and revelatory “secret history” of Feminist Art, !Women Art Revolution deftly illuminates this under-explored movement through conversations, observations, archival footage and works of visionary artists, historians, curators and critics. Starting from its roots in 1960s antiwar and civil rights protests, the film details major developments in women’s art through the 1970s and explores how the tenacity and courage of these pioneering artists resulted in what is now widely regarded as the most significant art movement of the late 20th century.

(Be sure to also see artist Miranda July’s film The Future at MBC 23-28.)

“PASSIONATE, CONTENTIOUS, FUNNY, SINCERE, POLITICALLY ATTUNED… Ms. Hershman “Could not be timelier!”-Marcia G Yerman, ALTERNET
“The most comprehensive documentary ever made on the feminist art movement.”-Jessica Roake, BUST Magazine
ADVANCE TICKETS & MORE INFO HERE

 

SUN, SEPT 25, 7pm:

An MBC SPECIAL EVENT

ONE SCREENING ONLY!

Exclusive Premiere Presentation

in collaboration with Emerging Pictures

Florida Premiere!

Since rocking the indie film world at Sundance with an instantly legendary rant disguised as a distribution rights auction, Kevin Smith has been on a mission to do things differently with the release of his newest work and entree to the horror genre, RED STATE. A 15-city tour followed, with Smith on hand for Q&As. Meanwhile the rest of Smith’s fan-base and even average movie-goers were left to wonder if they’d ever get see the film on the big-screen themselves.

That wait is over…

RED STATE

Directed by KEVIN SMITH/2011/88mins.

With Michael Angarano, John Goodman, Melissa Leo, Nicholas Braun

Set in Middle America, a group of teens receive an online invitation for sex, though they soon encounter fundamentalists with a much more sinister agenda. Indie “Enfant Terrible” director Kevin Smith takes us on a small town rollercoaster ride, with a film that is equal parts horror film, thriller, and social political commentary.

What has America come to?

Red State is cleverly contrarian enough to get a rise out of

almost any audience.”-Hollywood Reporter

With Live webcast Q&A with director

KEVIN SMITH

taking questions via Twitter

$20 or $18 MBC Members

(includes your first drink at the official afterparty

at VINYL & KAI Gastropub and Rock Spot,

right across the street from MBC)

ADVANCE TICKETS & MORE INFO HERE

 

THU, SEPT 29, 8pm:

Cinema Green

In collaboration with ECOMB,

The Environmental Coalition of Miami and the Beaches

TRASH, INC.

The Secret Life of Garbage

(Documentary by CNBC/2010/60mins)

Garbage. It’s everywhere – even in the middle of the oceans – and it’s pure gold for companies like Waste Management and Republic Services who dominate this $52 billion-a-year industry. From curbside collection by trucks costing $250,000 each, to per-ton tipping fees at landfills, there’s money to be made at every point as more than half of the 250 million tons of trash created in the United States each year reaches its final resting place. At a cost of $1 million per acre to construct, operate and ultimately close in an environmentally feasible method, modern landfills are technological marvels – a far cry from the town dump that still resonates in most people’s perceptions. Not only do they make money for their owners, they add millions to the economic wellbeing of the towns that house them. One sure thing about the garbage business: it’s always picking up.

ADVANCE TICKETS & MORE INFO HERE

 

FRI-WED SEPT 30-OCT 05, 6:45pm:

An MBC Premiere Presentation

in collaboration with Emerging Pictures

Miami HD Digital Premiere!

THE TREE

(Directed by JULIE BERTUCELLI/Australia/2011/1hr, 40mins.)

With Charlotte Gainsbourg, Morgana Davies

Charlotte Gainsbourg (Antichrist, I’m Not There) stars in French filmmaker Julie Bertuccelli’s achingly beautiful follow-up to her sleeper hit Since Otar Left. The Tree is a mystical drama of loss and rebirth in the Australian countryside. Not since classic 1970s works Picnic at Hanging Rock and Walkabout has the harshly gorgeous outback landscape been such a lyrical yet foreboding metaphor for grief and coming of age. Blindsided with anguish after her husband’s sudden death, Dawn (Gainsbourg)-along with her four young children-struggles to make sense of life without him. Eight-year-old Simone (unforgettable newcomer Morgana Davies) becomes convinced that her father is whispering to her through the leaves of the gargantuan fig tree that towers over their house…

CLOSING NIGHT FILM: Cannes Film Festival 2011

“I shall never see a film as lovely as The Tree…COMES CLOSE TO PERFECTION”-The Australian

“CRITICS PICK! GORGEOU…the environment is so luminous that every outdoor shot has an aura of magical realism. Ms. Gainsbourg, is almost as striking a figure as she was in Lars von Trier’s “Antichrist.”

-Stephen Holden, NEW YORK TIMES

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FRI-MON SEPT 30-OCT 03, 8:45pm:

FESTIVAL OF NEW SPANISH CINEMA 2011

Presented by PRAGDA and MBC in collaboration with CCE Miami. Supported by the Embassy of Spain in Washington DC

and the Ministry of Culture of Spain ICAA

The fourth annual internationally touring FESTIVAL OF NEW SPANISH CINEMA 2011 unveils the next generation of Spanish film legends. Featuring first-time filmmakers and established masters, the best in contemporary Spanish cinema comes to MBC. Additional support from exclusive wine sponsor Martin Codax Las Rocas, Beacon Hotel, Iberia, American Airlines, and Eurochannel.
FRI, SEPT 30, 8:45pm:

80 DAYS (80 egunean)
by Jose Mari Goenaga & Jon Garaño/Spain, 2010, 105 min.
With: Itziar Aizpuru, Mariasun Pagoaga, José Ramón Argoitia, Ane Gabarain


From Basque directors Jon Garaño and José Mari Goenaga comes a story of illicit desire handled with warmth, delicacy and humour.This sensitive and unusual love story poses one simple question: if you had to choose, would you follow your mind or your heart? Forbidden by society to develop their budding passion, childhood girlfriends Axun (Itziar Aizpuru) and Maite (Mariasun Pagoaga) were forced to embark on very different paths in life. 80 Days forces us to re-evaluate both the passions that lay buried within, as well as those that we have cultivated without. (In Basque with English subtitles)

San Sebastian International Film Festival – Film Comission Award
Karlovy Vary International Film Festival
London Film Festival

“One of the most unusual films in recent Spanish cinema A beautiful surprise.” -El País

The film will be followed by Q&A with the filmmakers

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SAT, OCT 01, 8:45pm:

BICYCLE, SPOON, APPLE

(Bicicleta, cullera, poma)
by Carles Bosch/Spain, 2010, 105 min.

As both the former mayor of Barcelona and former president of Catalonia, Pasqual Maragall has been a popular leader for the people of Spain. In 2007, this charismatic public figure was diagnosed with Alzheimer’s. Bicycle, Spoon, Apple is an up-close and personal account of his decision to go public with this revelation, of his steadfast determination to beat the disease, and of the strength and support of his family.

By bringing us so deep into the life of an Alzheimer’s sufferer, Bosch demystifies the disease-resulting in a documentary that’s sure to leave viewers forever changed. (In Spanish, Catalan, and English, with English subtitles)
Goya Award Winner – Best Documentary
Gaudí Award Winner – Best Documentary
José Maria Forqué Award Winner- Best Documentary
“Touching, uplifting and informative.” Variety

“It’s a must-see.” The Stranger

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SUN, OCT 02, 8:45pm:

EVERY SONG IS ABOUT ME

(Todas las canciones hablan de mí)

by Jonás Trueba/Spain, 2010, 104 min.
With: Oriol Vila, Bárbara Lennie, Miriam Giovanelli, Ramón Fontseré

A Woody-Allenesque romantic comedy inspired by the aesthetics of the French New Wave, Every Song Is About Me is the most acclaimed debut film of the year. It follows the story of Ramiro, an immature thirty-something wannabe poet who fulfills his passion for literature in his uncle’s small bookshop. One day, he comes home to find a letter left by his fiancée, Andrea, putting an end to their relationship.

Up and coming Jonás Trueba captures the confusion of a generation haunted by music and books, by the need to find a path amidst the certainty of uncertainty and by the compulsion to find love when love has become but the topic of yet another indie-pop song. (In Spanish with English subtitles)
Goya Award nominee for Best Director and Best Actor (Oriol Vila)
Gijón International Film Festival
Cairo International Film Festival

“Love, literature and life lessons are mixed into an engaging but retro whole in the Spanish romantic drama Every Song Is About Me. …Infused with the spirit of French New Wave.” Variety
ADVANCE TICKETS & MORE INFO HERE

MON, OCT 03, 8:45pm:

HALF OF OSCAR (La mitad de Oscar)
by Manuel Martín Cuenca/Spain, Cuba, 2010, 89 min.
With: Verónica Echegui, Rodrigo Sáenz de Heredia


An exploration of family taboos, this quiet and austere third feature from Martín Cuenca (The Weakness of the Bolshevik, Hard Times) delves into the deepest regions of the human soul. The windswept beaches and mountains of Almeria are located on the Mediterranean in the southern province of Andalucia, Spain. It’s an area that is rarely portrayed in Spanish cinema, but one that Manuel Martín Cuenca uses as a central character in Half of Oscar, providing the ideal space to contemplate the complicated relationship between Oscar and his sister Maria. Silence and subtext speak volumes in this poignant film about impossible loves.

(In Spanish with English subtitles)
Toronto International Film Festival

Gijón International Film Festival
Paris Cinema International Film Festival
A filmmaker at his best…A definitive proof of maturity,

artistic growth and the confirmation of a personal style.”-El País

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TUE, OCT 04, 8:45pm:

LOPE

by Andrucha Waddington/Spain, Brazil 2010, 106 min.
With: Alberto Ammann, Pilar López de Ayala, Luis Tosar, Leonor Watling, Sonia Braga, Juan Diego,
Antonio de la Torre

Almodóvar’s pet, Leonor Watling (Talk To Her, Bad Education) and a whole cast of renowned Spanish actors (Luis Tosar, Take My Eyes; Antonio de la Torre, Volver; Pilar López de Ayala, In the City of Sylvia) star in this spectacular romantic epic with echoes of Oscar®-winner Shakespeare in Love. Lope tells the story of the life and loves of immortal dramatist and incorrigible adventurer Lope de Vega y Carpio, a contemporary of “Don Quixote” author Miguel de Cervantes, and a bright star in the literary field of Baroque Spain. In this entertaining and romantic look at his struggles to establish himself, we encounter a man ruled by his passions, and more condemned than commended for his eviscerating wit.

Goya Award Nominee for Best Actress (Pilar López de Ayala)
Toronto, Venice, Stockholm Film Festivals

“A lively, entertaining portrait of a Spanish literary master.” ABC
The film has soul, a great production design and an entertaining story. It’s the performances, though, which will raise the applauses.” Filmaffinity

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M I A M I    B E A C H   C I N E M A T H E Q U E

Historic City Hall, 1130 Washington Avenue, First Floor South

(305) 67-FILMS (673-4567) www.MBCinema.com

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