Section One | Fractals of Invisibility
Questions the historical and structural reasons for the exclusion of Black and Indigenous women and non-binary artists from art historical narratives. It examines invisibility as an intersectional phenomenon rooted in colonial and contemporary history.
Section Two | Politics of Visibility
Examines what strategies are effective in gaining institutional recognition and achieving socio-political goals. This section simultaneously questions the creation and replication of stereotyped representations of these artists within the dominant discourse.
Section Three | Poetics of Opacity
Focuses on the notion of opacity, as theorized by philosopher and poet Edouard Glissant, understood as an impenetrable alterity that cannot be possessed, an epistemological notion that grants everyone the right to keep their psycho-cultural selves. |
